The “After Canova – A History of Sculpture in Florence and Rome” exhibition highlights two particular moments during the renewal of italian sculpture in the first half of the 19th century: the Roman panorama was dominated by the heirs and direct collaborators of Canova and Thorvaldsen, while in Florernce Lorenzo Bartolini’s teachings were being imposed with some resistance.
exhibition curated by
Sergej Androsov – Massimo Bertozzi – Ettore Spalletti
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Palazzo Cucchiari, a majestic 19th century residence, was designed by Leandro Caselli, the man who re-created the face of modern Carrara.